Margarita Bali

5c-CURRICULUM english

MARGARITA BALI
CURRICULUM VITAE
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CONTENTS:

1) PERSONAL DATA
2) PROFESSIONAL ACTIVITIES
A) CHOREOGRAPHY,
B) VIDEODANCE PRODUCTION and FILM CHOREOGRAPHY
C) MULDISCIPLINARY WORK
D) VIDEO INSTALLATION
E) NUCLEODANZA, direction, festivals and tours,
F) DANCER
G) TEACHER/DANCE STUDIO DIRECTOR
H) JUROR/PANELIST OF DANCE AND VIDEO-DANCE
3) EDUCATION
4) AWARDS
5) FELLOWSHIPS AND GRANTS
6) SPONSORSHIPS AND CO-PRODUCTIONS
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2)PROFESSIONAL ACTIVITIES
A) CHOREOGRAPHY
Has choreographed 40 works from 1972 to 2006. The majority of these works were created for the company that she founded and co-directs: NUCLEODANZA. The exceptions were: HASTA QUE UNA MAÑANA (UNTIL ONE MORNING) and CRINOIDEOS which were set on the American dance company DANCE THEATRE SEATTLE, Washington. BIOSFERA and LA NOVIA were commissioned while she was a member of GRUPO DE DANZA CONTEMPORÁNEA DEL TEATRO MUNICIPAL SAN MARTIN.DE SACO Y CORBATA (1992 Reposition) was set on the BALLET DEL TEATRO SAN MARTIN (director Oscar Araiz) CARAS Y CARETAS (1995) was choreographed for the BALLET JUVENIL DEL TEATRO SAN MARTIN. HOMBRES EN JUEGO (1996) was choreographed on commission for the seven male dancers of the BALLET DEL TEATRO SAN MARTIN.

WORKS CHOREOGRAPHED FOR THE STAGE:

TITLE (# OF DANCERS) YEAR MUSIC PREMIERE THEATRE
40) PIZZURNO PIXELADO 2005 Jorge Sad Palacio Pizzurno-site specific
festival Internacional de teatro

39) ZOOM IN, LOOK OUT (2) 2003 Jorge Sad Jenkins Theatre. Univ. of
original score Wisconsin at Stevens Point

38) NAUFRAGIO IN VITRO (6) original score
37) AVE DE CIUDAD (2) original score
36) HOMBRES EN Laraaji,Scott Johnson, Brian Eno
35) DOS EN LA CORNISA 34) DOBLAR MUJER POR LINEA DE PUNTOS(solo))
33) CARAS Y CARETAS (9) 32) LINEA DE FUGA (8) Forest, K.Volans, A.Piazzola
31) RISAS EN LA OSCURIDAD (3) W. Faendrich, E. Rudnitzky
30) AUFWIEDERSEHN JOHN (solo) 29) TILT (solo) H. Díaz,J. Surman
28) CADAVER EXQUISITO(4) Stockhausen, Verdi, Rossini
27) DOBLE ESPACIO (2) 26) TÊTE À TÊTE (2) 25) FEMME FORET (solo) 24) NOCHE DE GARUFA (4) Cuarteto Centenario
23) TANGOS, EL EXILIO DE GARDEL(8)Feature Film
22) DE SACO Y CORBATA (8) 1984 Compag. E. Rudnitzky
21) JUDITH (5) 20)BIOSFERA ( ampliada.para 12) 19)LOS 3 MÚSICOS DE PICASSO 18) RÁFAGAS (10) 16)JUEGO DEL TIEMPO (3) 15)ME ACUERDO DE MI (2) 14)LA NOVIA (2) 13)LUNAS (solo) 12)LA SECRETARIA (solo) 11)BIOSFERA (8) 10)RAGA(2) 9)TUTTI FRUTTI(4) 8)FIN DEL TIEMPO (3) 7)PULSOS( solo) 6) ESPACIOS (solo) 5)NOCTURNO Y HOLOTURNIO(2) 1974 4)INFLEXIONES (solo) 3)CLIMAS SÓNICOS (2) 2)CRINOIDEOS (3) Washington, USA
1)HASTA QUE UNA MAÑANA( solo) 1972 2000 Alejandro Gonzalez Novoa, Bs. As, Teatro Callejón
1998 Marcelo Moguilevsky, Bs. Aires, Teatro Alvear
JUEGO( 7)……. 1996 Damian le Gassik,Pierre Favre………… Bs Aires, Teatro San Martin
(2)…….. 1995 Kevin Volans…………………………… Bs.As. Centro Ricardo Rojas
1995 Gyorgi Ligetti Bs As C.Cultural: Recoleta
1995 Collage Bs As, Teatro San Martin
1994 J. Reyes, D. Byrne, Deep Bs As,Teatro Alvear
1993 D. Saluzzi, E. Lurie, Viena, Austria, Szene Wien
1992 Edgardo Rudnitzky Middleburg,Holland
1990 J. Lurie, Mathos Rodriguez Mar del Plata, T Auditorio
1989 C. Morgado, N. Moretto Bs As, Teatro San Martin
1988 Arvo Part Bs Aires,Teatro Cervantes
1986 Sergio Aschero Montevideo, Teatro Solis
1986 I. Malek, M. Subotnick Montevideo, Teatro Solis
1985 Fresedo, D´Arienzo Mar del Plata Film Festival
1985 Astor Piazzola Venice Film Festival
P. Glass, B. Eno, M .Monk Bs As,.Teatro Alvear
1984 Schonberg, Mahler Lutoslavsky Teatro San Martin
1983 K. Stockhausen, F. Bayle G. Crumb Bs Aires,Teatro Alvear
1983 Luis Borda Buenos AiresTeatro Alvear
1982 Claude Bolling Bs As Teatro B. Podestá
1981 Francis Poulenc Bs Aires, Teatro Planeta
1980 Schubert, I. Hammer Bs Aires, Teatro Planeta
1978 G. Verdi Bs Aires, Teatro San Martin
1978 I.Hammer.Mahavishnu Bs Aires, Teatro Planeta
1977 L.Berio, E. Satie Bs Aires, Teatro Payro
1977 K. Stockhausen, F.Bayle, B.Menna Bs. As. Teatro San Martin
1976 Ali Akbar Khan Amsterdam,Hol.,Melkweg
1975 Elvis Presley Bs Aires, Teatro San Martin
1975 Olivier Messiaen Bs. Aires, Teatro Lassalle
1975 Oscar Bazan, Hugo Díaz Bs. Aires, Teatro Alvear
1974 Luis Borda Bs As, T. Blanca Podestá
Erik Satie TV Program”Ballet” Canal 7
1974 Luciano Berio Bs.As. Teatro A. Discépolo
1974 Walter Carlos Bs Aires Teatro Alvear
1973 Lucia Dlugoszewsky DanceTheatre Seatle
Janis Joplin, Morton Subotnik Dance Theatre Seattle Washington,USA

Many of these choreographies were on the programs of the NUCLEODANZA International tours.in Europe, U.S.A, Australia, Korea, India, Indonesia and Latinamerica that took place mostly during the last ten years.(see NUCLEODANZA). Her works shown most often on tours were: DOS EN LA CORNISA, DOBLAR MUJER POR LINEA DE PUNTOS, TILT, RISAS EN LA OSCURIDAD, DE SACO Y CORBATA, DOBLE ESPACIO, CLIMAS SÓNICOS, PULSOS, CADAVER EXQUISITO, FEMME FORET AND NOCHE DE GARUFA.
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B) VIDEO-DANCE and FILM CHOREOGRAPHY:

VIDEO-DANCE PRODUCTION

Directed the following video-dance creations:

1) PAULA EN SUSPENSO . 1993 /1994. U-MATIC SP . Duration: 8 minutes
2) ASALTO AL PATIO. 1994 . S-VHS. Duration 7 min, 30 secs Obtained one award.
3) DOS EN LA CORNISA. 1994.U-MATIC SP and HI-8 Duration: 12 minutes. Obtained one award.
4) AGUA. 1997. BETACAM SP Duration: 12 minutes and 30 secs. Obtained three awards
5) ARENA 1998 BETACAM SP. Duration 9 minutes. Obtained three awards and one nomination.
6) PLANOS DE CONTACTO .2000. BETACAM. SP. Obtained one award.
8) HUMOR VITREO 2006- DVCAM duration 12 minutes
9) LIVING ROOM 2006- DVCAM duration 10 minutes
10) PAREDES DE BUENOS AIRES 2006/2007-DVCAM duration 21 minutes
11) SOBREMESA 2006- DVCAM d duration 9 minutes

Videos have been screened at the following events:

PRIMERA MUESTRA ARGENTINA DE VIDEODANZA DE CREACIÓN (Centro Cultural Ricardo Rojas, BUENOS AIRES VIDEO VI. PREMIO ICI DE VIDEO.. UNCIPAR Festival at Villa Gesell. CONCURSO NACIONAL DE VIDEO DEL CONSEJO NACIONAL DE LA MUJER. ARGENTINE SHORT FILM AND VIDEOS at ANTHOLOGY FILM ARCHIVES in NEW YORK (June 1994) FESTIVAL LA MUJER Y EL CINE in Mar del Plata (Sept 94) MUESTRA DE VIDEODANZA AT BIENAL DE ARTE JOVEN at CENTRO CULT RECOLETA (1994) DANCE ON CAMERA FESTIVAL IN NUEVA YORK (1994) MUSEO NACIONAL DE BELLAS ARTES selection of Argentine art videos for an itinerant show that included Casa de las Américas at Palacio Linares, Madrid and Fukui, Japan.(1995). PRIMER FESTIVAL INTERNACIONAL ARGENTINO DE VIDEO DANZA at the Centro Cultural Ricardo Rojas. FESTIVAL DE VIDEO DE BELO HORIZONTE, BRAZIL, October 1995. 5 eme MONDIAL DE LA VIDEO, BRUSSELS, Belgium, 1995. FIV, FESTIVAL INTERNACIONAL DE VIDEO, Teatro Babilonia, Buenos Aires, 1995. 8me GRAND PRIX INTERNATIONAL VIDEO DANSE, Paris, screened in Stockholm, Sweden Feb 1996. DANSA VALENCIA VIDEO FESTIVAL, Valencia, Spain. 1996.. MUSEO NACIONAL DE BELLAS ARTES Paula en Suspenso is part of the permanent collection of the National Art Museum Video Collection. Jorge Glusberg curator.1996. AMERICAN DANCE FESTIVAL, Video Dance from Argentina curated by Douglas Rosemberg. SEGUNDO FESTIVAL INTERNACIONAL DE VIDEO DANZA, Buenos Aires, C. C Ricardo Rojas, Univ. of Bs Aires. August 1996.CONCURSO DE CORTOMETRAJE LA MUJER Y EL CINE (NATIONAL FILM INSTITUTE) 1997. BRNO VIDEO FESTIVAL, Checoeslovaquia 1997, SPLIT VIDEO FESTIVAL Yugoslavia, 1997,ROSARIO VIDEO FESTIVAL,1997, TIEMPOS CORTOS, University of Buenos Aires, Facultad de Filosofía y Letras, 1997, video ROSARIO, 1998, CIPOLLETTI, Río Negro, Argentina 1997, MONDIAL DE LA VIDEO BRUSSELS, Belgium 1997, THE REEL FRONTIER, Arizona, USA 1998, FESTIVAL MONTECATINI-FILMVIDEO98. Italy, 1998, PREMIO ICI DE VIDEO X, Buenos Aires 1998, IL COREOGRAFO ELETTRONICO Napoli, Italy 1998, AMERICAN DANCE FESTIVAL-DANCE FOR THE CAMERA, USA 1998, MUSEO DE ARTE MODERNO Buenos Aires 1998, CENTRO CULTURAL RICARDO ROJAS VIDEO GALERÍA 1998. DANCE ON CAMERA, Film Society at Lincoln Center Walter Reade Theatre, 1998. IDAT, ARIZONA STATE UNIVERSITY, USA, Phoenix, 1999. DANCE SCREEN, Koln, Germany 1999, 10 eme GRAN PRIX INTERNATIONAL VIDEODANSE,Saint Laurent du Var, France 1999. PREMIO ICI DE VIDEO 2000, DANCE SCREEN MONACO 2000 festival internacional de videodanza Ecuador.2005, Videodanza Urbana C Cultural Rojas.2005, FESTIAL INTERNACIONAL DE VIDEODANZA DE BUENOS AIRES, 2006.
FILM CHOREOGRAPHY

1) Choreographer and performer in the Argentine feature film “BORGES PARA MILLONES” directed by Ricardo Wulicher
2) Co-Coreographer of the Argentine feature film “TANGOS, EL EXILIO DE GARDEL” directed by Fernando “Pino” Solanas. This movie received many international film awards including the Jury Gran Prix at the 1986 Venice Film Festival and the award of the Italian Press for Best Film Choreography of the year.
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C) MULTIDISCIPLINARY STAGE PRODUCTIONS
1) Directed a 43 minute multimedia performance (dance and video) LINEA DE FUGA, at the Alvear Municipal Theatre in Buenos Aires. A work in four acts for eight dancers where video dance images were projected on a large screen simultaneous to live choreographic development on stage. This project was co-produced with the Teatro Alvear Municipal Theatre (City of Buenos Aires State Theatre) 1994
2) The multimedia version of DOS EN LA CORNISA was premiered at the First International Video Dance Festival in Buenos Aires. It has toured with the NUCLEODANZA program at Art Summit Indonesia, Belfast Festival in Northern Ireland, German Tour in 1995 and at DANSA VALENCIA Festival in Spain in February1966.
3) Multimedia stage performance, dance and video, of the 40 min work AVE DE CIUDAD at the Teatro Alvear Municipal Theatre. Original music composed by Marcelo Moguilevsky.1998. NOMADS FESTIVAL in Guiessen Germany. Grant from the San Martin Theatre and the NationalTheatre Institute.
4) Multimedia stage performance NAUFRAGIO IN VITRO with 6 dancers, live musician, 2 video projectors. This work was produced with the GUGGENHEIM FELLOWSHIP FOR DANCE . Was awarded the second prize for choreography at the ALEXANDER ONASSIS INTERNATIONAL COMPETITION in 2001
5) ZOOM IN. LOOK OUT, is the first stage work utilizing interactive technologies that include microphones as sensors, VNS camera mapping of movement, real time graphic and video editing software, original octophonic interactive music. The work was co-produced with the University of Wisconsin at Stevens Point, department of Music and Dance
D) VIDEO-INSTALLATIONS (sculptures, video-objects and video projections)

1) TUBO OCEANICO. 2001-Video-sculpture presented at CENTRO CULTURAL BORGES and at TEATRO DEL SUR-LA RED LATINOAMERICANA, and at individual show CENTRO CULTURAL RECOLETA
2) LA DUNA ES MOVIL 2001-individual show CENTRO CULTURAL RECOLETA
3) LOS FLOTANTES-EL 2001- individual show CENTRO CULTURAL RECOLETA
4) LOS FLOTANTES-ELLA 2001- individual show CENTRO CULTURAL RECOLETA
5) LA RAJA 2001- individual show CENTRO CULTURAL RECOLETA
6) LA ISLA-PIRAMIDE 2001-Presented at SALON NACIONAL (National Art competition) PALAIS DE GLACE and individual show at. CENTRO CULTURAL RECOLETA
7) ARENA 1 2003- Video Sculpture at MUSEO NACIONAL DE BELLAS ARTES, PREMIO BANCO CIUDAD exhibit.
8) PULMOTOR 2004-mechanical-hydro-video scultpture at SALON NACIONAL, PALAIS DE GLACE.
9) PIZZURNO REVISITADO 2005 Video-installation for 3 projectors and architectural 3D Model premiered at DIGITAL CULTURES LAB-RADIATOR FESTIVAL , NOTTINGHAM. UNIVERSITY GREAT BRITAIN.
ROSARIO ASTAS 2006. FESTIVAL INTERN VIDEODANZA BS AS
10) EL ACUARIO ELECTRONICO 2007individual show CENTRO CULTURAL RECOLETA –PREMIO FAENA DE ARTE Y TECNOLOGIA
a) VENTANA EXTERIOR
b) MEDUSAS
c) JARRONES 1
d) JARRONES 2
e) PECERA
f) ALFOMBRA
g) SOFA CUADRO PANTALLA
h) DESDE EL SOFA ( performance visrtual a 2 proyectores)
i) CUERPOS INTERACTIVOS
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E) DIRECTOR OF NUCLEODANZA

Has co-directed independent contemporary dance company NUCLEODANZA from 1974 to the present. The repertory of over 55 works for this company is mostly hers and of co-director Susana Tambutti. NUCLEODANZA has on occasions invited other choreographers to set pieces on the group such as ANA ITELMAN, OSCAR ARAIZ, ANAMARÍA STEKELMAN, MAURICIO WAINROT, JULIO LOPEZ, ANA DEUTSCH (Nucleodanza member for many years) and DON ASKER (Australia). The number of dancers in the group has varied with the artistic and economical necessities from three to twelve dancers. Since there is no government financing for dance groups outside the two state dance companies, NUCLEODANZA works as a cooperative and has only three permanent dancers at the time: ANA MARÍA GARAT, GABRIELA PRADO and PAULA DE LUQUE. Invited dancers are included in specific projects that involve more performers. NUCLEODANZA’s primary artistic and financial incentives for the last ten years were the yearly international tours and also the participation at many international dance festivals. To make these tours possible it was necessary to concentrate on a very small group with many works that were created for one to four dancers. NUCLEODANZA has also presented choreographies for larger casts, mostly for the local productions in Buenos Aires. Among these works are Ráfagas, Biosfera, De Saco y Corbata, Judith and Linea deFuga, Naufragio in Vitro (all Bali works) and Jugar con Fuego, Como de Costumbre, Lava , Ketiak and Muerte Anunciada en el guion (all Tambutti works).

NUCLEODANZA PERFORMANCES AT INTERNATIONAL FESTIVALS:

Prague International Dance Festival, Kultur Palace, Checoeslovaquia 1986
Gulbenkian International Dance Festival, Gulbenkian Foundation, Lisboa, Portugal ,1987
New Dance Festival, Munich, Germany 1988
Bonn International Dance Festival, Germany,1989
New Door Festival in Amsterdam, Hollnd, 1988
Festival Internacional de Teatro y Danza de Caracas, Venezuela 1988 and again invited in 1992
American Dance Festival at Duke University, Durham, USA 1989 and again in1990 y 1992
Festival de Verano de la Villa de Madrid, España, 1990
Festival Internacional de la Universidad Autónoma de Mexico, Mexico, 1990
Festival Internacional de Danza de Bahia, Brazil, 1989
India International Dance Festival (Bombay, New Delhi and Trivandrum), 1991
Festival Hispanoamericano in Miami, Florida, USA,1991
Tampa Festival, Florida, USA 1991
Seul international Dance Festival, Seul, Korea, 1991
Budapest International Dance Festival,, Hunary, 1991
Surrealist Festival, Idar-Oberstein, Germany, 1991
“Steps 92″ Migros International Dance Festival, Switzerland, 1992 (9 Swiss cities)
Festival Gekleured Brabant Provinces, Holland (8 Dutch cities) 1992
Melbourne Festival, Australia, 1992
Siegen International Dance Festival, Siegen, Germany, 1993
Festival Art Summit Indonesia, Java and Sumatra, 1995
Belfast Festival, Northern Ireland, 1995
Danza Valencia , Spain, 1996
Festival Oriente-Occidente, Trento, Italia 1996
Kulturetage Festival in Oldenburg, Germany, 1996
Encuentro Internacional de Danza Contemporánea, Montevideo, Uruguay,1996
Festival Internacional de Teatro de Buenos Aires, 1997
Nomads International Dance festival, Guiessen, Alemania, 1999
Festival Internacional de Teatro de Buenos Aires, 1999
NUCLEODANZA TOURS FROM 1986 TO 1998:
EUROPE:.The regular tours in Europe involved performances in Germany, Holland, Switzerland, Belgium, Spain, Portugal, Austria, Checoeslovaquia, Hungary and France. Some cities included were Paris, Brussels, Bonn, Dusseldorf, Frankfurt, Mainz, Stuttgart, Gottingen, Wilhelmshaven, Essen, Tubingen, Nurnberg, Munich, Kaiserslautern, Linz, Innsbruck, Herne, Vienna, Bratislava, Budapest, Praga, Brno, Amsterdam, Eindhoven, Tilburg, Roosendaal, Osterhout, Middelburg, Utrecht, Madrid, Barcelona, Lisboa, Zurich, Geneva, Bern, Neuchatel, Zug, Baden, Luzern, etc.
UNITED STATES: Performances included Chicago, Washington, San Antonio, Pittsburgh, Baltimore, Richmond , Durham, Sheboygan, North Carolina.
LATIN AMERICA: Montevideo (Uruguay), Bahía (Brazil), Caracas, Maracaibo (Venezuela), MexicoCity.
ASIA, INDONESIA, AUSTRALIA in New Delhi, Bombay, Trivandrum, Djarkarta, Seul, Melbourne.
ARGENTINE PROVINCES: Rosario, Santa Fe, Mar del Plata, Bahía Blanca, Viedma, Gral Roca, Neuquen, Villa Regina, Bariloche,Mendoza, San Juan, Tucumán, Cordoba, Corrientes.

BUENOS AIRES LOCAL PERFORMING SEASONS:

Teatro Municipal San Martin, Teatro Municipal Alvear, Sala Planeta, Teatro Nacional Cervantes, Teatro Lassalle, Teatro Payró, Danza Abierta,.Teatro del Globo, Callejon de los Deseos..

F) DANCER
She was a member of the following dance companies where she performed leading roles as a professional dancer:

DANCE THEATRE SEATTLE (1972 TO 1973) Performed works by choreographers Fanshon Schur, Pamela Schick, Barbara Lacy, Cathy Evleshin, Rick Fite, Erika Thimey
BALLET DE OSCAR ARAIZ (1975). Performed Oscar Araiz works MUJERES, CANCIONES and COTILLON
GRUPO DE DANZA CONTEMPORÁNEA DEL TEATRO SAN MARTIN. (1977-78) Performed works by Anamaría Stekelman MEMORIAS, LA VALSE, by Doris Humphrey NEW DANCE, by Ana Itelman ELLA LO VISITABA, CASA DE PUERTAS, CASA DE COLOMBA and works by Monica Fraccia, Liliana Tocaccelli, Mauricio Wajnrot and Lía Jelin
NUCLEODANZA (1974 TO 1997) Performed most of her own choreographies and also the works of Susana Tambutti COMO DE COSTUMBRE, LA ESPERA, MUERTE ANUNCIADA EN EL GUION, and by invited choreographers Ana Itelman ELLA LO VISITABA, CUATRO ENTRETIEMPOS, Oscar Araiz, RESONANCIAS, Anamaría Stekelman LAS HERMANAS, Ana Deutsch PASAJE DE IDA, LA NARANJA, EL MOZO
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G) TEACHER/ DIRECTOR OF A CONTEMPORARY DANCE SCHOOL
She has taught classes in the following subjects:
1) CONTEMPORARY DANCE TECHNIQUE, 2) CHOREOGRAPHY, 3) REPERTORY
4) THE INCORPORATION OF MASKS AND OBJECTS IN CREATIVE DANCE WORK, 5) DANCE FOR THE CAMERA: creation of dance- video
Directs her own dance Studio from 1981 to the present. In this studio she directed a programmed dance school from the 1984 to 1989: ESCUELA-TALLER DEL ESTUDIO MARGARITA BALI. This school offered a three year study program with 10 compulsory weekly classes. The most important aspect of this school was its emphasis on all the subjects that are related with the creation and production of choreographic work. It was an important place in Buenos Aires for dance students to be incentivated to do their own creations and so they were exposed to many art forms. They were helped through the process up to the presentation of a finished work on stage.
The following courses were taught at the school:

MOVEMENT AND VOICE (Marga Grajer), MASKS( Ana Luisa Stok, Eugenia Bekeris)
MIME ( Willy Manghi, CLOWN ( Raquel Sokolowicz)
MUSIC Adrian Russovich, Oscar Edelstein,Anibal Zorrilla, Omar Berti, Edgardo Rudnitzky)
CHOREOGRAPHY (Susana Tambutti, Diana Machado, Margarita Bali, Silvia Pritz, Vera Wilmer) REPERTORY (Susana Tambutti, Marina Giancaspro, Teresa Duggan, Margarita Bali, Celina Goldin Lapacó, Sandro Nunziatta), CONTACT (Alma Falkenberg), DANCE HISTORY (Susana Tambutti),.CONTEMPORARY DANCE (TÉCNICAS GRAHAM, JENNIFER MULLER, NIKOLAIS, TRISHA BROWN, HAWKINS, ETC) (Loreley Postolovsky, Cristina Barnils, Inés Vernengo, Renate Schottelius, Teresa Duggan, Marina Giancaspro, Alejandra Libertella, Esteban Wozniuk, Marta Perez Catan, Andrea Chinetti), BALLET (Luis Baldassarre, Sonia Von Potobsky, Rita Caride)
ACROBATICS Carlos Lypzic, Luis Ziembrosky). MASKS AnaLuisa Stok, Eugenia Bekeris.

AS INVITED GUEST TEACHER
1973- Universidad de Washington, Seattle, USA , Extension program. 1975 a 1979-Estudio Ana Kamien. 1984- Ballet de la Universidad de Cuyo, intensive 15 day seminary for the company, 1986-Praga, Checoeslovaquia. Contemporary dance technique and Repertory for the CONTEMPORARY DANCE COMPANY OF THE CHARLES UNIVERSITY.1986-Montevideo, Uruguay. Repertory Workshop by invitation of Secretaría de Cultura. 1987 to 1988 -Santa Fe, Rosario, Corrientes, Río Negro, Mar del Plata, Bahía Blanca. Invited by the Secretarías de Cultura from each province to teach within the educational extension program organized by Citibank. 1988- Intensive Seminar on the use of Objects in Dance Composition. 1989-Tango Workshops in the German dance schools Brotfabrik in Bonn and Die Werkstatt in Dusseldorf, 1991 y 1992-Pedagogical Project for the Argentine Provinces Nucleodanza /Fundación Antorchas*. 1998. Coordinator and teacher at the American Dance Festival-Fundación Antorchas and Escuela de las Artes Río Negro two week dance Seminary. Lecturer in Video-Dance production and Cultural Dance Policies by Red Latinoamericana de Danza, Santiago de Chile,2001.

*PEDAGOGICAL PROJECT FOR THE ARGENTINE PROVINCES
NUCLEODANZA/ FUNDACIÓN ANTORCHAS
For two consecutive years NUCLEODANZA designed, organized and executed an intensive teaching project for advanced/professional dancers in the provinces. This project was funded 80 % by the FUNDACIÓN ANTORCHAS. The other institutions that collaborated with the project were the SECRETARÍA DE CULTURA DE LA NACIÓN and each provincial SECRETARÍA DE CULTURA. Private and government dance schools also became partners in this project. These seminars were carried out in the cities of Mendoza, Rosario, Santa Fe, Bahia Blanca, Corrientes, General Roca, Neuquen, Villa Regina, Mar del Plata and Tucumán. The subjects taught were CONTEMPORARY DANCE TECHNIQUE, DANCE THEORY, CHOREOGRAPHY, VOICE AND MOVEMENT, IMPROVISATION, REPERTORY. International teachers were invited to accompany NUCLEODANZA on this teaching project: Shelley Senter from USA through AMERICAN DANCE FESTIVAL-USIS and Don Asker choreographer-teacher from Australia. Students were awarded fellowships to the Donald Mc.Kayle classes in Bs Aires also through an ADF program.
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H) JUROR, PANELIST, CURATOR OF DANCE AND VIDEO-DANCE
Was member of the jury in the area of DANCE at the FUNDACIÓN ANTORCHAS.(April 1995 to April 1998).The jury work involved selecting candidates for dance creation subsidies, fellowships, for special projects such as American Dance Festival, German ITI Choreographer´s Fellowhip program, French Embassy Contemporary Dance Project, etc. Designed a program to invite Argentine choreographers living abroad to come back to the country to set a work on local independent dance companies.
Was designated juror, together with Andres Di Tella, Graciela Taquini and Douglas Rosemberg at the SECOND INTERNATIONAL VIDEO-DANCE COMPETITION AND FESTIVAL at the C. Cultural R. Rojas, University of Buenos Aires. Categories: video-dance, multimedia performances and dance documentary.(August 1996)
Was dance juror (Contemporary Dance and Ballet) at the TORNEOS JUVENILES BONAERENSES that were held in Mar del Plata , October 1996 and november 1999.
Was in the jury panel at the FESTIVAL BUENOS AIRES DE DANZA CONTEMPORÁNEA.2000
Invited as a panelist by the University of Arquitecture in Buenos Aires to participate at a conference on the subject of VIDEO ART AND ITS RELATIONSHIP TO VIDEO-DANCE.(1994).Panelist at SECOND INTERNATIONAL DANCE VIDEO COMPETITION AND FESTIVAL at the Centro Cultural Ricardo Rojas to participate at an open debate on the subject VIDEO-DANCE . Conducted by art historian Graciela Taquini.(1996). Participated as panelist on the subject of VIDEO-DANCE at numerous cultural public television programs such as Arte Canal, Buenos Aires Cultura, Puerto Cultura, Edición Danza, etc. Videodance panelist at the JORNADAS DE VIDEODANZA organized by the ICI( INSTITUTO DE COOPERCIÓN IBEROAMERICANA)
Was curator of two programs devoted to DANCE VIDEO FROM GREAT BRITAIN at the 2nd INTERNATIONAL VIDEO DANCE FESTIVAL. Under the auspices of the Film Department of the Arts Council of Great Britain.
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3) EDUCATION

UNIVERSITY EDUCATION
UNIVERSITY OF BUENOS AIRES, Facultad de Ciencias Exactas y Naturales: 1962 TO 1964 PHYSICS AND BIOLOGY MAJOR.
UNIVERSITY OF CALIFORNIA,BERKELEY CAMPUS, USA: Graduated with a BACHELLOR OF ARTS IN BIOLOGICAL SCIENCES. Graduation with Honours, Phi Beta Kappa.1967
UNIVERSITY OF WASHINGTON: Post-graduate studies in PHYSIOLOGY 1968.Aproves qualifying exams and is invited as a graduate student to pursue a doctoral degree. (At which point takes leave of absence to continue her career as a dancer/ choreographer)

DANCE EDUCATION
UNIVERSITY OF CALIFORNIA AT BERKELEY: studies CONTEMPORARY DANCE
UNIVERSITY OF WASHINGTON: Studies BALLET, CONTEMPORARY DANCE AND CHOREOGRAPHY
with teachers Joan Skinner, Pamela Schick, Ruthanna Boris, Donald Mc.Kayle, Anna Sokolow.1968 TO 1972
DANCE THEATRE SEATTLE SCHOOL AND COMPANY: Studies CONTEMPORARY DANCE and CHOREOGRAPHY with teachers Phyllis Letgers, Fanshon Shur and Pamela Schick 1972TO 1974
BUENOS AIRES DANCE STUDIOS: studies BALLET and CONTEMPORARY DANCE with teachers Roberto Giachero, Enrique Lommi, Ana Kamien, Anamaría Stekelman, Freddy Romero, Luis Baldassarre.1975 TO 1996
GRUPO DE DANZA CONTEMPORANEA DEL TEATRO SAN MARTIN : studies BALLET and CONTEMPRORAY DANCE with Renate Schottelius, Anamaría Stekelman, Gustavo Mollajoli 1977,1978

VISUAL ARTS EDUCATION
UNIVERSITY OF CALIFORNIA AT BERKELEY: takes courses in DRAWING, COLOUR, PAINTING, ART HISTORY, ORIENTAL ART.
THE FACTORY OF VISUAL ART SCHOOL, Seattle, Wash.: Enrolls at the school and takes courses in DESIGN, DRAWING, POLYESTER RESIN SCULPTURE, TEXTILE SCULPTURE.
ESTUDIO HECTOR MEDICI: Studies ACRYLIC PAINTING with teacher Hector Medici, 1994
Exhibits her polyester resin sculptures at the Seligman Gallery in Seattle, at the Spokane Art Museum and at the Museo Nacional de Bellas Artes in Buenos Aires (Premio de Ridder Exhibit 1975)

VIDEO EDUCATION
SECRETARÍA DE CULTURA DE LA NACIÓN: Attends the two month workshop VIDEO FOR CHOREOGRAPHERS teached by film director Jorge Coscia. 1993
RODOLFO HERMIDA VIDEO SCHOOL. Takes the following video courses INTRODUCTION TO VIDEO, ANALOG VIDEO-EDITION and SOUND FOR VIDEO with teacher Julio Real, 1994, 1995,1996
VIDEO-DANCE FESTIVAL/ADF at Centro Cultural Ricardo Rojas: VIDEODANCE course with USA videoartist Douglas Rossemberg
DIGITAL VIDEO EDITION. Learns to operate several video edition programs such as MEDIA 100, AFTER EFFECTS and FINAL CUT PRO2.

DANCE AND TECHNOLOGY, HYPERMEDIA, DIGITAL ART EDUCATION
IDAT 1999. INTERNATIONAL DANCE AND TECHNOLOGY conference at ARIZONA STATE UNIVERSITY.
Participated fully of the four day intensive international meeting including workshops, discussion panels demonstration and theatre performances . Mark Coniglio, Poval-Gilson Ellis, Palindrome, Choiniere, Yacov Sharir, etc., and, enrolled in the course on Interactivity by Johannes Birringer.
HYPERMEDIA AND NETART. Two intensive one month workshops taught at Buenos Aires UNIVERSITY OF TRES DE FEBRERO by FABIAN WAGMAISTER, director of Hypermedia Lab at UCLA department of Film and Media. Subjects included Interactivity in the different artistic fields: performance art, dance, installations, web. Array of available sensing tools and interactive systems.
ISEA 2000 10 th INTERNATIONAL SYMPOSIUM ON ELECTRONIC ART. Held in Paris, France
Attended the full four days of meetings, panels, demonstrations and performances. Especially interested in the artistic and research work of Joe Camurri, Stelarc, Flavia Sparacino, CatherinE Ikam, Olivier Auber, Maurice Benayoun.
MONACO DANCES DANCES FORUM. DANCE AND TECHNOLOGY FORUM. 2000 Monaco, France. Workshops on lifeforms, interactivity, motion capture, etc. Teachers Jacov Sharir, Scott de Lahunta, Robert Wechsler, among others.
SWIPT. SUMMER WORKSHOP IN PERFORMANCE TELEMATICS. Two week intensive workshop on interactivity and telematics with student access to two fully equipped intelligent stages at ARIZONA STATE UNIVERSITY , INSTITUTE FOR STUDIES IN THE ARTS. Directed by John Mitchell, included teachers Victoria Marks, Scott de Lahunta, Todd Ingals, Christian Ziegler, Gene Cooper, Douglas Rosenberg.
PALINDROME EYECON WORKSHOP on sensor camera mapping system. ANDREA DAVIDSON WORKSHOP on interactive CDROM for dance. Both workshops in Argentina.

LANGUAGES:
FLUENT SPANISH AND ENGLISH, UNDERSTANDS FRENCH AND GERMAN
__________________________________________________________________________________________
4)AWARDS

1) NATIONAL CHOREOGRAPHY COMPETITION (SPONSORED BY COCA-COLA ART and SCIENCES PROGRAM) Second prize for her choreography JUDITH 1983.

2) LATINAMERICAN CHOREOGRAPHY COMPETITION at the teatro Municipal Santiago de Chile. MENCIÓN ESPECIAL for the choreography BIOSFERA 1983

3) ITALIAN PRESS AWARD FOR BEST FILM CHOREOGRAPHY 1985 for dance she co-choreographed in the feature film TANGOS, EL EXILIO DE GARDEL by director Fernando Solanas. This film obtained many other awards at major international film festivals including the VENICE FILM FESTIVAL GRAND JURY AWARD .

4) PREMIO ESPECIAL DEL JURADO AL MEJOR VIDEO-DANZA at VI PREMIO ICI DE VIDEO.for her video ASALTO AL PATIO.1994. It is the first prize ever awarded in Argentina for the category video-dance creation. Jurors: Jorge Glusberg, Laura Bucellatto, Rodolfo Hermida,.Osvaldo Giesso, Jorge la Ferla, Ezequiel Martinez, Graciela Taquini)

5) GETEA-TEATRO XXI: PREMIO DE TEATRO DANZA: Award given for her choreography DOBLAR MUJER POR LINEA DE PUNTOS at San Martin Theatre Dance Cycle 1996. Theatre Magazine produced by the FACULTAD DE FILOSOFÍA Y LETRAS of the UNIVERSITY OF BUENOS AIRES.

6) CONCURSO DE CORTOMETRAJES “TIEMPOS CORTOS”. 1997. University of Buenos Aires, Facultad de Filosofía y Letras. Video AGUA is awarded the second prize. Jury: Lita Stantic, Antonio Ripol, Diego Kaplan, David Oubiña and Alberto Rubinstein.

7) CONCURSO DE CORTOMETRAJE Y VIDEO LA MUJER Y EL CINE Her video AGUA is awarded two prizes:
MENCION for the EXPERIMENTAL category from the contest jury (Sara Facio, Graciela Duffau, Mabel Itzcovich, Pablo Nisenson, Alberto Lecchi) and
FIRST PRIZE in the FICTION CATEGORY from the press jury (Nora Lafon, Alejandro Ollivier, Juana Patiño, Roberto Quirno).1997

8) IL COREOGRAFO ELETTRONICO. 8º FESTIVAL INTERNAZIONALE DE VIDEODANZA. 1998. Video ARENA obtains the prize for best original music for videodanza: SCATOLA SONORA awarded by the jurors Pasquale Scialo, Eugenio Ottieri, Gabriele Faust, Gianfranco Mantegna and Roberto Giambrone.

9)PREMIO ICI DE VIDEO X. Video ARENA is awarded 3d prize. Jury: Rodrigo Alonso, Gastón Duprat, Jorge Glusberg, Rodolfo Hermida, Graciela Taquini and Laura Buccellato

10) FESTIVAL INTERNACIONAL DE VIDEODANZA DE BUENOS AIRES. Video ARENA is awarded second prize. Jury: Jorge Coscia, Susana Tambutti and Graciela Taquini.

11) GETEA-TEATRO XXI: PREMIO DE TEATRO DANZA: Dance Theatre Award given for her multimedia work NAUFRAGIO IN VITRO 1999.

12) CONCURSO DE VIDEO CIPOLLETTI 1999.video ARENA is awarded a Mencion

13) PREMIO ICI DE VIDEO XII Video PLANOS DE CONTACTO obtains a Mención at the video competition.
Jury: Rodrigo Alonso,Claudio Caldini, Jorge Glusberg, Graciela Taquini, Laura Buccellato. 2000

14)ALEXANDER ONASSIS PUBLIC BENEFIT FOUNDATION CHOREOGRAPHIC COMPETITION. The work NAUFRAGIO IN VITRO receives the 2 nd prize in CHOREOGRAPHY. Entry in 1999-Prize awarded in 2001.
_____________________________________________________________________________________________ 5) FELLOWSHIPS AND GRANTS
FELLOWSHIPS
UNIVERSITY OF CALIFORNIA AT BERKELEY, U.S.A.: Biological Sciences Student Scholarship 1966/ 1967
UNIVERSITY OF WASHINGTON, Seattle, Wash. U:S:A.: Graduate Student Fellowship, Physiology 1967/68
GERMAN FOREIGN OFFICE: FELLOWSHIP to participate as dancer and choreographer at the BONN INTERNATIONALES TANZWERKSTATT 1975
BRITISH COUNCIL :dance study fellowship at London Contemporary Dance School and The Place 1975
AMERICAN DANCE FESTIVAL: fellowship at Duke University, Durham, North Carolina. INTERNATIONAL CHOREOGRAPHERS’ PROGRAM, 1985
GUGGENHEIM FELLOW: for choreography, awarded in 1998 for multidisciplinary dance project NAUFRAGIO IN VITRO.
BECA ANTORCHAS 2001.Antorchas Foundation Fellowship for senior artists. Awarded for the project:Investigation and development of projects in Dance and Technology.

GRANTS
FUNDACIÓN ANTORCHAS NUCLEODANZA was awarded a subsidy for the term of two years to develop and carry out a pedagogical DANCE PROGRAM for the ARGENTINE PROVINCES. The program was developed in colaboration with co-director Susana Tambutti and involved the teaching of DANCE COMPOSITION, TECHNIQUE, DANCE HISTORY and REPERTORY for dance professionals in the cities of Mendoza, Rosario, Santa Fe, Corrientes, Tucuman, Salta, General Roca, Neuquen, Villa Regina, Mar del Plata.(1991 and 1992).
FONDO NACIONAL DE LAS ARTES Was awarded a DANCE CREATION SUBSIDY to help cover the initial costs of filming the video work EL NAUFRAGIO DEL CATHAY (AGUA, ARENA and ROCA). (1996)
DIRECCIÓN NACIONAL DE MÚSICA Y DANZA: 1997,1998. Was awarded a subsidy to edit and compose original music for the videos ARENA and ROCA.
TEATRO SAN MARTIN CO-PRODUCCION: subsidy to produce choreography: AVE DE CIUDAD. 1998
INSTITUTO NACIONAL DEL TEATRO: subsidy to restage the work AVE DE CIUDAD. 1998
INSTITUTO NACIONAL DEL TEATRO: subsidy for the production of work NAUFRAGIO IN VITRO
____________________________________________________________________________________________
6) SPONSORSHIPS AND CO-PRODUCTIONS

SPONSORSHIPS FOR INTERNATIONAL PERFORMANCES
From 1986 to 1996 NUCLEODANZA’s traveling costs for some tours and International Dance Festivals were covered in part by the Cultural Department of the ARGENTINE FOREIGN OFFICE (DIRECCIÓN DE ASUNTOS CULTURALES DEL MINISTERIO DE RELACIONES EXTERIORES DE LA REP. ARGENTINA).These included tours and festivals in Germany, Austria, Holland, France, USA, Spain, Hungary, Checeslovaquia, Italy, Northern Ireland. The SECRETARÍA DE CULTURA DE LA NACIÓN covered transportation costs for the teaching program NUCLEDOANZA developed for the provinces with the subsidy of the ANTORCHAS FOUNDATION.Transportation costs of NUCLEODANZA performances at the Indonesia International Dance Festival and one airline ticket to present the work AVE DE CIUDAD at the Giessen Nomads International Festival.
CO-PRODUCTIONS
From 1985 to 1999 as choreographer and co-director of NUCLEODANZA received occassional finantial support to cover partial production costs of her choreographies from the private business companies CITY BANK, AMERICAN EXPRESS, CENTRO DE INGENIEROS DE MAR DEL PLATA, TELAS CASTELAR and from state theatres TEATRO ALVEAR and TEATRO SAN MARTIN.

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